Jan van bijlert online dating

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The arrangement of lines, forms, tone and color, even in a painting depicting an aspect of the known world, can be viewed as a series of non-representational relationships.

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In the case of photographic images it has been calculated that this redundancy may be as high as 90%.The limp contours of real satin, which remind the viewer of the fragility of luxury, are "ironed out" into crisp, angular folds with sharp chiaroscural contrasts that can be more easily assimilated by the visual system.The dark blue gown of , whose inner creases and folds are barely indicated, is transmuted into a pure, bell-like shape which is understood only through its two graceful external contours.The surfaces of objects are sometimes so abstracted that they are cleansed of their natural texture, for instance, the reflections that would be expected to be observed.Vermeer's abstraction may have in part been inspired by the generalized image of a camera obscura.

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